CHEER-ACCIDENT

"Tons of weird rock records have streamed out of Chicago over the past two decades, but none have blended pop smarts and avant-garde impulses as skillfully as this marvelous brainteaser of an album..." – Time Out New York

"Cheer-Accident are the quintessential Chicago post-rock band that, sadly, you may have never heard of. Too bad. They've been exploring head-scratching, creatively fucked-up time signatures and sideways guitar shenanigans for 20 years now, leaving a pronounced influence on the Windy City's art-rock scene. Their playful musical approach is a ripe aesthetic of absurdist humor." – D. Shawn Bosler, Pitchfork

Emerging from the incredibly diverse crucible of music that is Chicago, Cheer-Accident embodies and re-affirms the “promises made” by previous generations of progressive rock, post-punk, and post rock bands—the creation of a thoroughly new rock-based music. There are bands with pretty melodies, bands that rock, bands that dazzle with exalted technique, bands that make you laugh, and bands aiming to perplex even the most intrepid listener. Cheer-Accident is all those things and more, truly a band for the 21st century. Cheer-Accident wrap creativeness inside an inviting enigma of honeyed vocals, harmonious pop melody, and thorny dissonance. They have the rare ability to synthesize and juxtapose pure pop, thundering rock, and avant-garde complexity and ambiguity, intuition and intellect, sweetness and sarcasm, to create a stunning signature sound.

CHEER-ACCIDENT's official websiteCHEER-ACCIDENT's Facebook pageCHEER-ACCIDENT on Twitter


PUTTING OFF DEATH



RUNE 446

Bands, like the human beings that comprise them, are mortal. Against all the odds, in the face of an unstable record industry that never embraced their restless experimentation, Chicago avant-rock pioneers CHEER-ACCIDENT have survived to release their 18th album, Putting Off Death. More than 30 years after first joining forces, fellow eclecticists Thymme Jones and Jeff Libersher have faced down the inevitable and returned with a new set of songs that’s as unpredictable, exploratory and viscerally compelling as anything they’ve released over the course of their erratically evolving career. The music is action packed and filled to the brim with living, breathing humanity. The band’s continuing hunger bleeds through in the music’s immediacy. As Jones says, "There's still something to prove."

The band’s third release for Cuneiform follows in the elusive, meandering trajectory of their earlier work, which is always instantly identifiable if never quite definable. They’ve managed to conjure a unique collage of intricate prog, lush pop and experimental noise, drawing on hugely disparate influences without ever settling on a sound that could be definitively traced to any of them in isolation. Meaning that they always did and continue to, sound like no one but themselves.

Following their previous release, No Ifs, Ands or Dogs, after a gap of six years, Putting Off Death is on the one hand simply an assertion that "We’re still here" from a band that never expected to be. CHEER-ACCIDENT continues to make vital, adventurous music after three decades despite - or maybe because of? - a revolving cast of collaborators (more than a dozen musicians are featured), and a notoriety in uneasy balance with an accompanying obscurity.

In the unusually long span since the band’s last release, the music industry has undergone seismic changes, which led CHEER-ACCIDENT to question whether traditional albums were still the ideal platform for their music. In the meantime, they continued to write music until the seven songs that make up Putting Off Death revealed their thematic and musical coherence and virtually demanded to become an album.

Listening to the singular blend of invention and accessibility, challenge and chemistry throughout the new album, another meaning for Putting Off Death emerges. Complacency can be its own kind of death, one that CHEER-ACCIDENT defiantly laughs in the face of. Jones and Libersher have adhered to the forward-thinking definition of the term "progressive" while subverting and diverting from the genre with cleverness and abandon.

"Back when [progressive rock] first excited me," Jones says, "there were a lot of questions being asked, and I like music that asks questions rather than just feeding people predigested styles like it was created in a lab. Even if something is musically complex, I need there to be a lot of humanity in it."

As Jones suggested, these are songs that ask questions, ones that can only be answered in the mindspace of the receiver. Putting Off Death, he says, is "not a complete thought. It's a question awaiting an answer. It requires an audience with which to interface. Others' ears and minds are required to complete the story."

Putting Off Death press release

Buy this album





NO IFS, ANDS OR DOGS



RUNE 326

No Ifs, Ands, or Dogs, Cheer-Accident’s 17th album is a kaleidoscopic, inclusive trip into a musical madhouse that you’ll want to stay lost within. The core membership of the ever-shifting organism that is Cheer-Accident remains Thymme Jones (vocals, keyboards, brass, synth, drums); Carmen Armillas (vocals), Alex Perkolup (vocals, bass, guitar), D. Bayne (keyboards, trombone) and Jeff Libersher (vocals, guitar, keys, trumpet, bass), with able assists from Andrea Faught (vocals, keys), and Lise Gilly (saxophones), among others. Everyone makes significant and important and wonderful contributions, but since the vocalist is always the focal point in bands, I want to mention that Carmen is a real find, with a powerfully emotive voice; she really lends a huge presence to this album, working beautifully with Thymme and Jeff and the rest.

The songs on No Ifs… run the gamut of everything that makes Cheer-Accident an exceptional band: prickly, lurching psychedelia with honeyed singing, quizzical Steve Reich-meets-King Crimson rockers, and sweetly peculiar soft-pop a la Beach Boys and Free Design. This diversity does not denote dilettantism, however; Cheer Accident empowers and devotes itself to whatever style, mode, or genre it absorbs. Even after a few listens, regardless of stylistic diversity displayed during No Ifs, Ands or Dogs is the commitment to primo performance of the album/music/concept as a whole — songs often lead into one another, going from a self-contained song to a introduction (or a coda) depending on where you are or where your focus is in the listening.

After the critical acclaim and expanded audience that greeted Cheer-Accident after the release of Fear Draws Misfortune, the group responded as they always do; by a reinvention of their sound. A wonderful album that is - as usual - also something completely different!

No Ifs, Ands, or Dogs press release

Buy this album





FEAR DRAWS MISFORTUNE



RUNE 276

For over 20 years, Cheer-Accident have been a creative, interesting force in rock music. They constantly strive to surprise their audience and themselves with constant reinvention. Fear Draws Misfortune is their 16th release and arguably their best release so far, as well as their album which strives the furthest towards a powerful balance between personalized and unique studio techniques and the excitement of a visceral, live, well-honed rock band. Which is saying something.

It is a strongly compelling and high-reaching album that uses a wide variety of ideas, styles and studio techniques, resulting in a cohesive and ambitious album of art-rock. The basic band is a trio who between them perform on vocals, keyboards, trumpets guitars, bass and drums, but they are augmented by 15 additional musicians who, each in their own way, bring their own musical gifts to the album. Fear Draws Misfortune reveals a fortuitous intersection between Cuneiform and Cheer-Accident, both of whom have long admired the other and both of whom finally decided to do something about it! This long overdue marriage, which neatly coincides with a timely (and quite lengthy) cover-feature article in December 2008's Signal To Noise magazine, promises to hurl Cheer-Accident into wider recognition.

"I could easily fill a page talking about any given minute of this album, but suffice it to say that if you’ve ever loved Magma’s apocalypticisms, Neu!’s ghosts in the machine, or Beefheart’s Dada boogie—or at least dreamed of watching the Mormon Tabernacle Choir fall down a very long flight of stairs—it might be for you." — Monica Kendrick, Chicago Reader

"...[Cheer-Accident] meld difficult, angular rock with absurdist lunacy in intentionally disturbing ways that are just brilliant." – Alternative Press

"There are few ensembles that can make noise sound both as mysterious and as strangely inviting as Cheer-Accident." – Delusions of Adequacy

Fear Draws Musfortune press release

Buy this album



MEDIA
For press and media: cover art and high resolution images are available below for download (click thumbnail, right-click image and select "Save As.."). Please credit the photographer (when available) and "Courtesy of Cuneiform Records". For more information, click here.

Putting Off Death
No Ifs, Ands, or Dogs
Fear Draws Misfortune
Scroll for more photos and art from other albums

PRESS RELEASES
Putting Off Death press release
No Ifs, Ands, or Dogs press release
No Ifs, Ands, or Dogs press quotes
Fear Draws Musfortune press release
Fear Draws Musfortune press quotes
Press quotes from previous releases and features

CUNEIFORM E-BLASTS
9/20/2013: Cuneiform Bands to Appear at Rock In Opposition Festival September 20-21, 2013 in Carmaux, France
facebook twitter
Cuneiform Records 2014
ARTISTS | TOURS | ABOUT | DISTRIBUTORS | STORE | CONTACT | LICENSING

Subscribe to Cuneiform's newsletter!